N.I.B.

Black Sabbath

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The recording

'N.I.B.' was recorded at Regent Sound Studios in London on 16 October 1969 in a single 12‑hour session under producer Rodger Bain. Iommi tracked the riff and solo live, using a heavily‑picked bridge humbucker and a wah effect to shape the vocal‑like phrasing, while the raw tape capture and minimal overdubs preserved the track’s gritty, overdriven character.

Signal chain

Reported gear

Alternatives

Epiphone SG Standard (2023)

Modern equivalent · for the 1965 Gibson SG Standard

$350 to $450
thomannreverbamazonebay

Laney Lionheart 100W Amplifier

Modern equivalent · for the Laney Supergroup 100W Amplifier

$700 to $900
thomannreverbamazonebay

Dunlop Cry Baby Wah Pedal

Modern equivalent · for the Vox V846 Wah Pedal

$80 to $120
thomannreverbamazonebay

Laney 4×12 100W Cabinet

Modern equivalent · for the Laney 4x12 Supergroup Cabinet

$400 to $600
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Select the bridge humbucker and crank the pickup selector to the bridge position.
  2. 2.Engage a wah pedal and sweep it in time with the solo to recreate the vocal‑like effect.
  3. 3.Use heavy gauge strings and pick the riff with a firm attack to accentuate the low‑end punch.
  4. 4.Turn the amp’s gain high and keep the volume up to let the natural overdrive sing.

Sources

Frequently asked questions

What gear was used for the N.I.B. guitar tone?

The available research points to 1965 Gibson SG Standard into Laney Supergroup 100W Amplifier. The full reported signal chain and evidence links are listed on this page.

Are the original N.I.B. amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

How do I recreate the N.I.B. tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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