Get this tone on your gear
Choose your guitar and amp to get exact knob settings.
The recording
Recorded at Ibiza Sound Studios in 1982 with engineer Louis Austin and producer Tom Allom, the twin guitars were double‑tracked, panned hard left/right, and captured with close‑miked SM57s on Marshall JCM800 heads feeding 4×12 Celestion cabinets, yielding the thick, aggressive metal tone that defines the track.
Tuning E Standard (E A D G B E)
Signal chain
Original gear
Alternatives
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Select the bridge pickup on both guitars for maximum attack.
- 2.Tighten your palm muting on the low strings to lock in the chugging rhythm.
- 3.Use alternate picking and smooth legato when playing the dual‑lead harmonies.
Sources
Frequently asked questions
What gear was used for the You've Got Another Thing Comin' guitar tone?
The available research points to 1978 Gibson Les Paul Custom into 1982 Marshall JCM800 2203 (100W). The full reported signal chain and evidence links are listed on this page.
Are the original You've Got Another Thing Comin' amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
What tuning is You've Got Another Thing Comin' in?
The current research record lists E Standard (E A D G B E). ToneTwin keeps corrections open when reliable accounts disagree.
How do I recreate the You've Got Another Thing Comin' tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.
