You've Got Another Thing Comin'

Judas Priest

Get this tone on your gear

Choose your guitar and amp to get exact knob settings.

Match this tone to my rig

The recording

Recorded at Ibiza Sound Studios in 1982 with engineer Louis Austin and producer Tom Allom, the twin guitars were double‑tracked, panned hard left/right, and captured with close‑miked SM57s on Marshall JCM800 heads feeding 4×12 Celestion cabinets, yielding the thick, aggressive metal tone that defines the track.

Tuning E Standard (E A D G B E)

Signal chain

Original gear

Alternatives

Epiphone Les Paul Custom

$400 to $600

Budget alternative · for the 1978 Gibson Les Paul Custom

Marshall DSL40CR

$800 to $900

Modern equivalent · for the 1982 Marshall JCM800 2203 (100W)

Squier Classic Vibe Stratocaster

$450 to $550

Budget alternative · for the 1975 Fender Stratocaster

Marshall 1960 4x12 Cabinet Reissue

$1,000 to $1,200

Reissue · for the 1979 Marshall 1960 4x12 Cabinet (Celestion G12T‑75)

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Select the bridge pickup on both guitars for maximum attack.
  2. 2.Tighten your palm muting on the low strings to lock in the chugging rhythm.
  3. 3.Use alternate picking and smooth legato when playing the dual‑lead harmonies.

Sources

Frequently asked questions

What gear was used for the You've Got Another Thing Comin' guitar tone?

The available research points to 1978 Gibson Les Paul Custom into 1982 Marshall JCM800 2203 (100W). The full reported signal chain and evidence links are listed on this page.

Are the original You've Got Another Thing Comin' amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

What tuning is You've Got Another Thing Comin' in?

The current research record lists E Standard (E A D G B E). ToneTwin keeps corrections open when reliable accounts disagree.

How do I recreate the You've Got Another Thing Comin' tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

More Metal tones