Walking by Myself

Gary Moore

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The recording

Recorded in 1989 for the album Still Got the Blues, “Walking by Myself” was produced by Gary Moore and Ian Taylor, with engineering by Taylor and assistants Haydn Bendall, Stuart Day, Markus Dravs and Steve Fitzmaurice (MusicBrainz). Moore’s lead guitar was captured close‑mic’d on his Marshall cabinet, placing his Les Paul‑Marshall stack front‑and‑center in the mix.

Signal chain

Reported gear

Alternatives

Epiphone Les Paul Standard

Modern equivalent · for the 1963 Gibson Les Paul Standard

$250 to $350
thomannreverbamazonebay

Marshall DSL40CR

Modern equivalent · for the Marshall JCM800 100W Head (circa 1989)

$500 to $600
thomannreverbamazonebay

Ibanez TS9 Tube Screamer

Modern equivalent · for the Ibanez Tube Screamer TS-808

$100 to $150
thomannreverbamazonebay

Marshall 1960A 4×12 Cabinet (reissue)

Reissue · for the Marshall 4×12 Cabinet (1960s reissue)

$600 to $800
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Use the bridge pickup on the Les Paul for a tighter, more aggressive tone.
  2. 2.Set the overdrive pedal’s level low and boost the amp’s gain for smooth, sustaining leads.
  3. 3.Bend the middle strings a full step and add wide vibrato for classic blues phrasing.
  4. 4.Thumb‑over mute the low E while soloing to tighten the rhythm and improve note definition.

Sources

Frequently asked questions

What gear was used for the Walking by Myself guitar tone?

The available research points to 1963 Gibson Les Paul Standard into Marshall JCM800 100W Head (circa 1989). The full reported signal chain and evidence links are listed on this page.

Are the original Walking by Myself amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

How do I recreate the Walking by Myself tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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