Get this tone on your rig
Tuned to the exact gear you own
The recording
Matthew Followill recorded the iconic octave hook on a 1960s Gibson Les Paul Standard using the bridge pickup, feeding a clean Line 6 digital delay into a Matchless combo amp; the part was tracked at Blackbird Studios in Nashville, where an Eventide DSP4000 added a lush reverb that gives the phrase its synth‑like shimmer.
Tuning Standard E A D G B E
Signal chain
Reported gear
Alternatives
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Select the bridge pickup and set the tone knob high for brightness.
- 2.Play the octave melody with a light pick attack, close to the bridge.
- 3.Enable a clean digital delay with a short repeat to recreate the rhythmic echo.
- 4.Add a subtle reverb to achieve the synth‑like sheen.
- 5.Keep the guitar volume at full to drive the amp’s clean tone.
Sources
Frequently asked questions
What gear was used for the Use Somebody guitar tone?
The available research points to 1960s Gibson Les Paul Standard into Matchless Combo. The full reported signal chain and evidence links are listed on this page.
Are the original Use Somebody amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
What tuning is Use Somebody in?
The current research record lists Standard E A D G B E. ToneTwin keeps corrections open when reliable accounts disagree.
How do I recreate the Use Somebody tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.



