Get this tone on your rig
Tuned to the exact gear you own
The recording
Moore delivers the lead line on a 1959 Gibson Les Paul Standard, using the warm, slightly compressed neck‑pickup PAF humbucker. The signal then hits a Marshall 1960B 4×12 cabinet loaded with Electro‑Voice EVM12L speakers. A subtle studio chorus from a Roland SDD‑320 Dimension D adds depth to the clean rhythm parts. The tone is characterized by a singing sustain, mid‑forward bite and a lush stereo spread, all captured with the amp’s clean headroom and the pedal’s compression.
Tuning Standard (E A D G B E)·Strings Dean Markley .010‑.052 (standard gauge)
Signal chain
Reported gear
Alternatives
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Use the Les Paul’s neck pickup for the vocal‑like leads.
- 2.Dial the JTM45 clean channel with moderate volume to achieve natural breakup.
- 3.Add a subtle chorus on rhythm parts, emulating the Dimension D’s depth.
- 4.Apply wide, smooth tremolo bar vibrato and sustain for the singing tone.
Sources
Frequently asked questions
What gear was used for the Still Got the Blues guitar tone?
The available research points to 1959 Gibson Les Paul Standard into 1989 Prototype Marshall Model 2245 JTM45 Reissue Head. The full reported signal chain and evidence links are listed on this page.
Are the original Still Got the Blues amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
What tuning is Still Got the Blues in?
The current research record lists Standard (E A D G B E). ToneTwin keeps corrections open when reliable accounts disagree.
How do I recreate the Still Got the Blues tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.





