Still Got the Blues

Gary Moore

Get this tone on your rig

Tuned to the exact gear you own

Match to your rig

The recording

Moore delivers the lead line on a 1959 Gibson Les Paul Standard, using the warm, slightly compressed neck‑pickup PAF humbucker. The signal then hits a Marshall 1960B 4×12 cabinet loaded with Electro‑Voice EVM12L speakers. A subtle studio chorus from a Roland SDD‑320 Dimension D adds depth to the clean rhythm parts. The tone is characterized by a singing sustain, mid‑forward bite and a lush stereo spread, all captured with the amp’s clean headroom and the pedal’s compression.

Tuning Standard (E A D G B E)·Strings Dean Markley .010‑.052 (standard gauge)

Signal chain

Reported gear

Alternatives

Gibson Les Paul Standard 1959 Reissue

Reissue · for the 1959 Gibson Les Paul Standard

$1,500 to $2,800
thomannreverbamazonebay

Marshall JTM45 Reissue Head

Reissue · for the 1989 Prototype Marshall Model 2245 JTM45 Reissue Head

$1,300 to $1,800
thomannreverbamazonebay

Marshall Guv'nor Mk I (used)

Budget alternative · for the Marshall The Guv'nor Mk I Overdrive Pedal

$150 to $250
thomannreverbamazonebay

Marshall 1960B 4x12 Cabinet

Still made · for the Marshall 1960B 4x12 Cabinet (Electro‑Voice EVM12L speakers)

$500 to $700
thomannreverbamazonebay

Roland SDD-320 Dimension D (used)

Budget alternative · for the Roland SDD-320 Dimension D Chorus Unit

$100 to $180
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Use the Les Paul’s neck pickup for the vocal‑like leads.
  2. 2.Dial the JTM45 clean channel with moderate volume to achieve natural breakup.
  3. 3.Add a subtle chorus on rhythm parts, emulating the Dimension D’s depth.
  4. 4.Apply wide, smooth tremolo bar vibrato and sustain for the singing tone.

Sources

Frequently asked questions

What gear was used for the Still Got the Blues guitar tone?

The available research points to 1959 Gibson Les Paul Standard into 1989 Prototype Marshall Model 2245 JTM45 Reissue Head. The full reported signal chain and evidence links are listed on this page.

Are the original Still Got the Blues amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

What tuning is Still Got the Blues in?

The current research record lists Standard (E A D G B E). ToneTwin keeps corrections open when reliable accounts disagree.

How do I recreate the Still Got the Blues tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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