How Many More Times

Led Zeppelin

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The recording

Page recorded the electric parts on a 1959 Fender Telecaster using the bridge pickup, and for the eerie sections he employed a violin bow on the lower strings. The signal ran through a Supro 1624T Dual‑Tone (or a modified 1690T Coronado) set clean, captured with a close‑mic on the speaker and a distant room mic as described by engineer Glyn Johns, giving the guitar a natural ambience and depth.

Signal chain

Reported gear

Alternatives

Fender American Vintage '58 Telecaster Reissue

Reissue · for the 1959 Fender Telecaster (blond finish)

$1,300 to $1,600
thomannreverbamazonebay

JHS Supro 1624T Dual‑Tone Reissue

Reissue · for the Supro 1624T Dual‑Tone (possible)

$500 to $700
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Hold a violin bow between the strings and draw it slowly to produce the eerie sustained tones heard in the bowed sections.
  2. 2.Select the bridge pickup on a Telecaster for a bright, cutting tone.
  3. 3.Play with moderate pick attack and let the notes ring into the room for natural ambience.
  4. 4.When bowing, keep the bow near the fingerboard and use a light touch to avoid excessive noise.
  5. 5.Blend the bowed passages with the clean amp tone to maintain clarity while preserving the atmospheric effect.

Sources

Frequently asked questions

What gear was used for the How Many More Times guitar tone?

The available research points to 1959 Fender Telecaster (blond finish) into Supro 1624T Dual‑Tone (possible). The full reported signal chain and evidence links are listed on this page.

Are the original How Many More Times amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

How do I recreate the How Many More Times tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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