Pride and Joy amp settings
Stevie Ray Vaughan
Riff guitar tone
Quick tone direction
Use a Strat-style single-coil sound into a loud, mostly clean Fender-style voice. Keep the bass firm and let strong picking create the edge of breakup.
- Gain
- Clean headroom with touch-sensitive edge of breakup
- EQ
- Firm bass, full mids and clear but smooth treble
- Pickup
- A clear Strat-style single-coil position
- Effects
- Keep the core sound direct; add no drive pedal unless your amp needs help
- Tuning
- E-flat standard
- Playing
- Use a strong attack and wide dynamic range
The session used two Fender Vibroverbs and a borrowed Dumble. A Tube Screamer is not required by the documented recording setup, and exact studio control positions remain unconfirmed.
Get this tone on your gear
Settings for your guitar and amp. Subscription required.
The recording
Pride and Joy was written by Stevie Ray Vaughan about his wife Lenora and recorded on November 24, 1982 at Jackson Browne’s Down Town Studio in Los Angeles as part of the Texas Flood sessions. The band set up in a circle like a live gig, with no isolation booths, and played the album in two sets so each song had only two takes to choose from. Vaughan merged rhythm and lead on the track, playing the walking bass line, muted percussive chord chops, and ringing open-string voicings at the same time, while his solo choruses grow straight out of that shuffle groove. The result is a raw, live-band Texas blues performance where the guitar parts create the recording’s recognizable character through heavy string bends, slides, and a fat, droning Eb-tuned Strat tone.
Tuning Eb Ab Db Gb Bb Eb·Strings GHS Nickel Rockers.013-.058
Signal chain · Riff
Showing the riff gear and shared equipment. Gear marked for the other part is not included.
Original gear
Alternatives
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Keep your thumb wrapped over the top of the neck to fret the low bass notes while sustaining chords.
- 2.Alternate between aggressive heavy string bends and percussive muted chops to replicate the shuffle groove.
- 3.Use a heavy pick attack combined with a neck or middle Strat pickup position to achieve that bell-like Texas tone.
- 4.Maintain a steady, driving shuffle rhythm without relying on a distortion pedal for your core rhythm sound.
Frequently asked questions
What gear was used for the Pride and Joy guitar tone?
The available research points to Fender Stratocaster “Number One” into Fender Vibroverb. The full reported signal chain and evidence links are listed on this page.
Are the original Pride and Joy amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
What tuning is Pride and Joy in?
The current research record lists Eb Ab Db Gb Bb Eb. ToneTwin keeps corrections open when reliable accounts disagree.
How do I recreate the Pride and Joy tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.
Sources
