What Do I Get?

Buzzcocks

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The recording

"What Do I Get?" was recorded in September 1977 at T.W. Studios in Fulham, London and mixed at Olympic Studios under producer Martin Rushent and engineer Doug Bennett (MusicBrainz). The track features Pete Shelley's lead lines on a Teisco MJ-2 (ET‑200) and Steve Diggle's rhythm on a stolen Gibson Les Paul, both driven through a Fender Twin Reverb, yielding a bright, raw tone that sits prominently in the mix with little reverb. The guitars were captured with a close‑mic technique, giving a tight, immediate sound characteristic of early British punk.

Signal chain

Reported gear

Alternatives

Squier Affinity Telecaster

Budget alternative · for the 1970s Teisco MJ-2 (ET-200)

$150 to $200
thomannreverbamazonebay

Fender Champion 40

Budget alternative · for the Fender Twin Reverb (1960s)

$200 to $300
thomannreverbamazonebay

Epiphone Les Paul Standard

Budget alternative · for the 1960s Gibson Les Paul

$400 to $600
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Use a thin pick and aggressive downstrokes for tight, punchy rhythm.
  2. 2.Select the bridge pickup on the Teisco for maximum brightness.
  3. 3.Turn the amp’s volume high while keeping gain low to let the guitar’s natural overdrive shine.
  4. 4.Play with fast alternate‑picking to capture the song’s driving feel.
  5. 5.Leave the tone knob open for a treble‑rich, cutting sound.

Sources

Frequently asked questions

What gear was used for the What Do I Get? guitar tone?

The available research points to 1970s Teisco MJ-2 (ET-200) into Fender Twin Reverb (1960s). The full reported signal chain and evidence links are listed on this page.

Are the original What Do I Get? amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

How do I recreate the What Do I Get? tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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