Get this tone on your rig
Tuned to the exact gear you own
The recording
Armstrong recorded his rhythm and lead parts on a Fender Telecaster (bridge pickup) through a Boss DS‑1 into a Marshall JCM800 head feeding a 1960 4×12 cabinet at Electric Lady Studios, delivering tight down‑stroked power chords and bright lead lines that give the track its punchy, mid‑range‑driven punk tone.
Tuning Standard (E A D G B E)
Signal chain
Reported gear
Alternatives
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Select the bridge pickup for a bright, aggressive tone.
- 2.Drive the Boss DS‑1 into heavy gain and keep the tone knob around noon for balanced mids.
- 3.Use tight down‑strokes with palm‑muted power chords on the verses.
- 4.Let the amp’s volume sit high to push the JCM800 into natural overdrive.
- 5.Add a subtle reverb in the mix to give depth without softening the edge.
Sources
Frequently asked questions
What gear was used for the Ruby Soho guitar tone?
The available research points to Fender Telecaster into Marshall JCM800 100W Head. The full reported signal chain and evidence links are listed on this page.
Are the original Ruby Soho amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
What tuning is Ruby Soho in?
The current research record lists Standard (E A D G B E). ToneTwin keeps corrections open when reliable accounts disagree.
How do I recreate the Ruby Soho tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.





