Get this tone on your rig
Tuned to the exact gear you own
The recording
Parachute opens with a bright, mid‑range electric rhythm guitar that accentuates the chorus, recorded with a 1962 Fender Jazzmaster played through a Fender Signature ’62 Princeton amp. The part is double‑tracked and panned wide, using the bridge pickup and a subtle tremolo for movement.
Signal chain
Reported gear
1962 Fender Jazzmaster (American Reissue)
Guitar
Stapleton’s rhythm part on ‘Parachute’ was tracked with a 1962 American reissue Fender Jazzmaster, delivering the song’s bright, jangly tone.
Fender Signature ’62 Princeton Amp
Amp
The amp’s clean chime and built‑in tremolo shape the guitar’s sparkle on ‘Parachute’, with the tremolo set low for a subtle shimmer.
Alternatives
Squier Classic Vibe Jazzmaster
Budget alternative · for the 1962 Fender Jazzmaster (American Reissue)
Fender Princeton Reverb (reissue)
Modern equivalent · for the Fender Signature ’62 Princeton Amp
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Select the bridge pickup on a Jazzmaster for a focused, cutting tone.
- 2.Set the amp's tremolo to a slow rate and shallow depth for subtle movement.
- 3.Play the chord accents with a light palm‑muted downstroke to match the studio feel.
- 4.Use a slight overdrive pedal or drive the amp into natural breakup for added grit on the chorus.
Sources
Frequently asked questions
What gear was used for the Parachute guitar tone?
The available research points to 1962 Fender Jazzmaster (American Reissue) into Fender Signature ’62 Princeton Amp. The full reported signal chain and evidence links are listed on this page.
Are the original Parachute amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
How do I recreate the Parachute tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.
