Misery Business

Paramore

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The recording

Recorded for the 2007 album Riot! with producer David Bendeth and engineer Tim Flanzbaum. The guitars were tracked through a Mesa/Boogie Dual Rectifier into a 4×12 cabinet, using a Gibson Les Paul Standard. The tone features a tight, high‑gain crunch with the bridge pickup engaged, layered with double‑tracked rhythm parts.

Tuning Standard (E A D G B E)

Signal chain

Reported gear

Alternatives

Epiphone Les Paul Standard

Budget alternative · for the Gibson Les Paul Standard

$500 to $600
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Orange PPC412

Modern equivalent · for the Mesa/Boogie 4x12 Cabinet

$500 to $600
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Peavey 6505

Modern equivalent · for the Mesa/Boogie Dual Rectifier

$700 to $800
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Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Select the bridge pickup for the bright, aggressive tone used on the main riff.
  2. 2.Engage tight palm‑muting on the rhythm chords and use alternate picking for the fast eighth‑note runs.
  3. 3.Keep the guitar volume knob near full to preserve the amp’s high‑gain response; roll back slightly for the verses to add clarity.
  4. 4.Attack each downstroke with force to drive the amp’s gain and maintain the song’s punchy feel.

Sources

Frequently asked questions

What gear was used for the Misery Business guitar tone?

The available research points to Gibson Les Paul Standard into Mesa/Boogie Dual Rectifier. The full reported signal chain and evidence links are listed on this page.

Are the original Misery Business amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

What tuning is Misery Business in?

The current research record lists Standard (E A D G B E). ToneTwin keeps corrections open when reliable accounts disagree.

How do I recreate the Misery Business tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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