Get Lucky

Daft Punk

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The recording

Nile Rodgers recorded his clean funk guitar part for "Get Lucky" at Electric Lady Studios (with additional work at Conway Studios). He used his 1959 Fender Stratocaster nicknamed "Hitmaker" and also brought a custom plexiglass‑bodied guitar at Daft Punk’s request. The part was tracked live with a bright, articulate clean tone, captured via direct input or a lightly miked studio amp to preserve the classic 1970s funk vibe that drives the song’s groove.

Signal chain

Reported gear

Alternatives

Fender American Professional II Stratocaster

Modern equivalent · for the 1959 Fender Stratocaster 'Hitmaker'

$1,400 to $1,800
thomannreverbamazonebay

Fender Custom Shop Acrylic Stratocaster

Modern equivalent · for the Custom plexiglass-bodied guitar

$2,500 to $3,500
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Play clean with a bright tone, using the neck or middle pickup for a warm funk sound.
  2. 2.Attack the strings with a medium pick and keep the picking hand close to the bridge for clarity.
  3. 3.Set the guitar volume high and the tone knob slightly back to retain bite without harshness.
  4. 4.Use tight, muted rhythm strumming, emphasizing the downbeats to lock with the groove.
  5. 5.Maintain consistent timing and sync with the drum and bass to preserve the track’s tight feel.

Sources

Frequently asked questions

What gear was used for the Get Lucky guitar tone?

The available research points to 1959 Fender Stratocaster 'Hitmaker'. The full reported signal chain and evidence links are listed on this page.

Are the original Get Lucky amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

How do I recreate the Get Lucky tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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