Feeling This

Blink-182

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The recording

Tom DeLonge recorded the guitars for "Feeling This" at The Rubin’s House, Rolling Thunder, Signature Sound in San Diego and Conway Recording Studios in Hollywood in 2003. Using a Gibson Les Paul Custom routed through a Mesa Boogie Triple Rectifier, he double‑tracked the rhythm part and panned the tracks left/right. An MXR EVH Flanger was placed before the amp, adding subtle modulation, while the amp’s spring reverb provided a faint ambience. The track was produced by Jerry Finn and engineered by Ryan Hewitt.

Signal chain

Reported gear

Alternatives

Epiphone Les Paul Standard

Budget alternative · for the Gibson Les Paul Custom

$500 to $600
thomannreverbamazonebay

Mesa Boogie Dual Rectifier

Modern equivalent · for the Mesa Boogie Triple Rectifier

$1,500 to $2,200
thomannreverbamazonebay

MXR Flanger

Budget alternative · for the MXR EVH-117 Flanger

$130 to $180
thomannreverbamazonebay

Practical playing approach

Recreation guidance, not a claim about undocumented studio control positions.

  1. 1.Select the bridge pickup for maximum bite.
  2. 2.Use a hard‑attack downstroke with tight palm‑muting for the percussive riff.
  3. 3.Set the amp gain high and roll off the bass slightly for clarity.
  4. 4.Add the flanger with a slow rate and shallow depth to retain attack.
  5. 5.Double‑track the rhythm guitar and pan left/right for width.

Sources

Frequently asked questions

What gear was used for the Feeling This guitar tone?

The available research points to Gibson Les Paul Custom into Mesa Boogie Triple Rectifier. The full reported signal chain and evidence links are listed on this page.

Are the original Feeling This amp settings documented?

Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.

How do I recreate the Feeling This tone on my own gear?

Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.

Researched and reviewed by the ToneTwin Research Team.

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