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The recording
Elephant was recorded by Kevin Parker in his Perth home studio during the Lonerism sessions and later mixed by Dave Fridmann at Tarbox Road Studios (MusicBrainz). Parker layered the main riff using a vintage Rickenbacker 330, routed through a Dunlop Fuzz Face, an Electro‑Harmonix Electric Mistress flanger and an MXR Carbon Copy analog delay before sending it into a 1960s Fender Twin Reverb. The signal was captured with a close‑mic on the amp and a direct injection, preserving the aggressive fuzz tone while retaining room ambience.
Signal chain
Reported gear
Alternatives
Practical playing approach
Recreation guidance, not a claim about undocumented studio control positions.
- 1.Play the main riff with the bridge pickup on a single‑coil guitar.
- 2.Set the guitar volume to full to drive the fuzz face into saturation.
- 3.Dial the Fuzz Face gain high and keep the amp’s bright switch on.
- 4.Add a subtle quarter‑note delay and a slow‑rate flanger for texture.
- 5.Mix the amp at a moderate volume to let the fuzz break up naturally.
Sources
Frequently asked questions
What gear was used for the Elephant guitar tone?
The available research points to 1965 Rickenbacker 330 into 1960s Fender Twin Reverb. The full reported signal chain and evidence links are listed on this page.
Are the original Elephant amp settings documented?
Exact historical knob positions are not reliably documented for most recordings. ToneTwin does not publish generated values as studio fact; it creates playable settings only for the amp and pedals a player selects.
How do I recreate the Elephant tone on my own gear?
Use the reported pickup, gain character, effects and signal-chain order as the target, then translate that target to your equipment. The matcher models controls for your selected rig rather than copying undocumented studio numbers.
Researched and reviewed by the ToneTwin Research Team.



